Primarily a self-taught artist (her college degree is in music), Lynda has taken equine sculpture workshops from Gwen Reardon, Kathleen Freidenberg and Karen Kasper, all at the Kentucky Horse Park; an AAEA workshop with Morgen Kilbourne in Aiken SC; a stone sculpture workshop from Annie Pasikov in Colorado; a figurative workshop from Philippe Farault at Philippe's classroom in Honeyoye, NY; a figurative sculpture workshop from Tuck Langland at the Scottsdale Artists School; and a painting workshop from Elin Pendleton at the Kentucky Horse Park. Lynda has also taken workshops or classes in mold-making, resin casting, patinas and drawing to improve her skills.
Lynda Sappington's work is internationally collected, and has been in galleries from California to Ohio to Florida to Wisconsin. Her sculptures are also in use as trophies all over the USA and in Canada, both as championship trophies and year-end awards. Three of her bronzes are at the Kentucky Horse Park: "Elegance" as a perpetual trophy in the Friesian Horse of North America (FHANA) headquarters, "Frolic" as a perpetual trophy in the US Dressage Federation (USDF) headquarters, and "Harmony" in the USDF Hall of Fame.
Lynda is not only an award-winning sculptor and photographer, but a writer, as well. The first edition of her book, "Sculpting 101: A Primer for the Self-taught Artist" sold out. The second edition, which has been completely revised and had two chapters added to it, is available through this website as well as Amazon.com and other outlets. In 2014-17, she co-wrote "Best Horse Care Practices" with her daughter, Grand Prix rider and trainer Jennifer Truett, who is also the owner and head trainer at Dancing Horse Farm, Lebanon OH. This book was published by Xenophon Press in 2018.
Of Lynda's many awards is the Joel Meisner Company Foundry Award from the American Academy of Equine Art. Her bronze, "Ecstasy" won Best in Show 3-D at the Black Stallion Show.
In 2011, Lynda created a life-size sculpture of the Friesian stallion, Nanning 374. It was installed at Nanning's owner's farm in Wisconsin April 19, 2012. A second casting of this piece was installed on a private farm in Ohio in 2013.
Lynda has written articles for numerous publications, including Equine Images, Horses in Art and The Equine Art Guild's newsletter, "The Palette." From 1998-2002, Lynda was Editor-in-Chief of ARTVoices, an online art magazine that was part of the ARTFaces | ARTPlaces gallery, as well as an AFAP Vice President and Board member. She contributed many articles to ARTVoices, including a regular column on sculpting called "Sculpturally Speaking."
An article in the "Bits and Pieces" section of the June/July 1998 issue of The Equine Image magazine featured her sculpture "Presence" and the Mid-Ohio Dressage Association trophy made from that edition. In 2008, Lynda was interviewed as one of several featured artists who make trophies (including the artists who make the Oscars, the Emmys and the Country Music Awards) in A&E Magazine.
Lynda's sculptures were featured on the cover of "The Chronicle of the Horse" magazine seven times. She's been interviewed for a show on RFD-TV and for several other magazines and newspapers. Her work has appeared in "Southwest Art" magazine, the Ascot Race Program in 2013, "Art in America" and many other magazines as well as some coffee table books.
In 1999, #3 of the "Presence" edition became a special award at the Palm Beach Dressage Derby, Palm Beach, Florida. Number 2 of "Presence" edition is the Stallion Perpetual Trophy at the Mid-Ohio Dressage Association Classic, Delaware, Ohio. "Harmony" #2/18 became the Grand Prix Special trophy at the Palm Beach Dressage Derby, starting in 2002. Another of Lynda's trophies is the Concourse d'Elegance World Championship Driving Trophy, using #2 of the "Elegance" edition, for the Friesian Horse Association of North America, which was awarded for the first time in October 2007. She has also created trophies and/or year-end awards for the New York Thoroughbred Breeders Association, Great Lakes Downs, the American Warmblood Society and other race tracks, breed and horse show organizations.
- from thesculptedhorse.com's bio for Linda Sappington.
There's a lot more to tell about Lt. Burns (like how he was a Medal of Honor recipient) but that's for another time. Burns is also the main character in author Carol Tonneson's newest book, The Westerner: A Postcard to the Girl He Left Behind, out later this summer!
Jeanne Doan, Assistant Director & John J. Zimkus, WCHS Historian
Three women, of varied backgrounds, joined together to become the nucleus of the women’s suffrage movement in Warren County: Lucile Blackburn Berry, Mary Proctor Wilson and Ladora Scoville Owens (once owner of Glendower Mansion).
The first meeting of what would become the Equal Suffrage League met in the Lebanon Opera House on April 22, 1912. After a committee was formed to nominate officers, Wilson was chosen as the first president and Owens as the vice president. Representatives from each township were selected and Berry was picked to represent Turtlecreek.
On June 27, 1912, the committee met at Wilson’s home at 108 N. Broadway, located at the northeast corner of Silver and Broadway (The Breakfast Club stands there now). There, the League arranged for the Dr. S. D. Fess, the Republican candidate for Congress in the sixth district and the president of Antioch College, to deliver a non-partisan address at the Lebanon Opera House. There, he put himself on record for the women’s suffrage proposal. Fess would win that election and later be elected a US senator from Ohio.
In 1912, multimillionaire real estate magnet and Lebanon native, William Elmer Harmon (you can learn all about him in a previous post) appointed his good friend, Owens, to be a board member of the newly established Harmon Civic Trust. Harmon had stipulated that at least two members of the Trust’s board of trustees must be women. Owens was one and Berry was the other. The League made arrangements with the Trust to hold regular meetings at Harmon Hall.
By 1914, Lucile Blackburn Berry was the president of the Equal Suffrage League. On July 23, 1914, The Western Star reported that the League had “held a very enthusiastic" meeting on July 17. At the meeting, Berry "...gave a report of the results of the recent circulation of petitions. There were 1,049 signatures obtained in the County." Wilson, along with another couple, the Chapmans, were chosen to present the petitions to the Secretary of State in Columbus. Nearly 150,000 names were signed to the suffrage petitions, 46,000 more than necessary.
The Western Star headline, on July 30, 1914, read, “Ohio Suffragists To Descend on State Capitol Today." And descend they did. At 4:30 that afternoon, bands accompanied suffrages from Cincinnati, Cleveland, Toledo, Akron and other areas to form a procession that marched from the Ohio Suffrage Organization's Columbus headquarters, in the Chamber of Commerce Building, to Capitol Square.
Harriet Taylor Upton, the organization's president, spoke along with several others including the president of Ohio State University and Representative W. B. Kilpatrick. The counties presented their petitions and, as planned, Mr. and Mrs. Chapman and Mary Proctor Wilson presented Warren County's.
Congress wouldn't draft the 19th amendment (giving women the right to vote) until 1919 but Ohio was quick to ratify it on June 16, 1919. The also passed a law stating that, if the amendment wasn't a law by the 1920 election, women would be about to view in Ohio regardless. However, by August of 1920, the amendment would gain the backing it needed (36 states) and pass into constitutional law. Thanks, in part, to a teacher (Berry), a newspaper editor (Wilson) and a socialite (Owens) who came together to fight for all Americans' right to vote, regardless of gender.
Learn more of the story at Harmon Museum's newest exhibit, "Women Leading the Way."
Nathaniel Grauwelman as well as various staff and volunteer writers.