​Since childhood, I have always been drawn to antique objects; they bring a relevance and history which contemporary objects do not offer.   This experience led to my exploration of historical drawings and etchings from the Victorian period, starting with Edwin Landseer, who was one of the most popular animal illustrators during this time period. 

Images of animals and children started to proliferate at the turn of the century as people sent greeting postcards and also read magazines like Harper’s Weekly which contained stories written and illustrated in serial fashion.  Printed magazines were available all over the country as reading became an important cultural activity and literacy increased.  In addition, life was documented and shared in wonderfully illustrated children’s books.  One can imagine domestic scenes by the fireside involving reading and the slow activity of embroidery.

Artwork and literature are rife with cultural symbols; they are a tool which teach our youth as well as shape adult behaviors.  Morals abound in these tales, both about humans and animals.  At this time, animals started to be seen as domestic companions and valued for their loyalty and compassion.  Many of these prints show scenes of tenderness and altruism, while others illustrate acts of aggression and barbary. 
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These stories and the prints which accompanied them, had a profound effect upon public perception of the treatment of animals and children leading to new organizations for their protection including the Society for the Care and Protection of Animals (SCPA) and new child labor laws.  Using research from this important historical period, I created a series of embroidered drawings on wool.  There is a kind of nostalgia in these images, not of a perfect world, but a slower paced life with some sweetness.   It is also important to note that the cultural awareness which awakened regarding children and animals unfortunately did not extend to all humanity, especially African Americans and immigrants.  The resulting embroideries seek to shine light upon our collective potential for acts of altruism and bravery, amidst the presence of depravity.  How can we extend the generosity of animals and children into contemporary society so that all people can find tenderness, sensitivity to others and begin to understand our collective value?

A message from the artist:

​"Every image tells a story...

Storytelling is a big part of what I bring to each photograph taken.  I am interested in capturing the mood, tone and feeling that express subject matter in its greatest light.  I have the patience it takes, and planning required to capture my imagery at just the right time to captivate the beholder.  These tactics were shared with me by my father who gave me my first camera, a shiny new Kodak "Hawkeye".  
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At Ohio University I studied Photography and was also privileged to meet my lovely wife Joy who was an Interior Design major.  My photographic education also included portraits with models both indoors and outside.  Throughout each shoot, I impart the importance of storytelling by applying empathy through the lens of my camera.  Today, I find myself enjoying capturing the majesty of waterfalls and calm bold decoration of the American southwest.  I hope you enjoy these lovely images and that they take you to a delightful place.
 
I hope you enjoy my photography and decide to purchase one for your home, office, a friend. 

Sincerely,

Marshall N. Miller"

Marshall's exhibition begins August 7 and will run through August 29.

Primarily a self-taught artist (her college degree is in music), Lynda has taken equine sculpture workshops from Gwen Reardon, Kathleen Freidenberg and Karen Kasper, all at the Kentucky Horse Park; an AAEA workshop with Morgen Kilbourne in Aiken SC; a stone sculpture workshop from Annie Pasikov in Colorado; a figurative workshop from Philippe Farault at Philippe's classroom in Honeyoye, NY; a figurative sculpture workshop from Tuck Langland at the Scottsdale Artists School; and a painting workshop from Elin Pendleton at the Kentucky Horse Park. Lynda has also taken workshops or classes in mold-making, resin casting, patinas and drawing to improve her skills.

Lynda Sappington's work is internationally collected, and has been in galleries from California to Ohio to Florida to Wisconsin. Her sculptures are also in use as trophies all over the USA and in Canada, both as championship trophies and year-end awards. Three of her bronzes are at the Kentucky Horse Park: "Elegance" as a perpetual trophy in the Friesian Horse of North America (FHANA) headquarters, "Frolic" as a perpetual trophy in the US Dressage Federation (USDF) headquarters, and "Harmony" in the USDF Hall of Fame.

Lynda is not only an award-winning sculptor and photographer, but a writer, as well. The first edition of her book, "Sculpting 101: A Primer for the Self-taught Artist" sold out. The second edition, which has been completely revised and had two chapters added to it, is available through this website as well as Amazon.com and other outlets.  In 2014-17, she co-wrote "Best Horse Care Practices" with her daughter, Grand Prix rider and trainer Jennifer Truett, who is also the owner and head trainer at Dancing Horse Farm, Lebanon OH.  This book was published by Xenophon Press in 2018.

Of Lynda's many awards is the Joel Meisner Company Foundry Award from the American Academy of Equine Art. Her bronze, "Ecstasy" won Best in Show 3-D at the Black Stallion Show.

In 2011, Lynda created a life-size sculpture of the Friesian stallion, Nanning 374.  It was installed at Nanning's owner's farm in Wisconsin April 19, 2012.  A second casting of this piece was installed on a private farm in Ohio in 2013.

​Kevin Harris teaches at Sinclair Community College where he has led courses in Drawing, Printmaking and Digital Media since the year 2000. Prior to coming to Sinclair, Kevin held teaching appointments at the University of Cincinnati, Northern Kentucky University, the Art Academy of Cincinnati, The University of the Arts, Moore College of Art and Design and Lincoln University.
 
Kevin earned a BA from Hampton University and an MFA from the University of Cincinnati. He has also studied at the Barnes Foundation in Philadelphia and frequently attends printmaking workshops at Making Art Safely in New Mexico. His work is included in the collection of the Cincinnati Art Museum as well as in many corporate and private collections. He has recently been featured in solo exhibitions at the Dana L. Wiley Gallery, Dayton, OH and at the African American Visual Arts Guild (AAVAG) Gallery at Central State University-West and at Sinclair’s Triangle Gallery where he presented, MULTIPLY, an exhibition of four thematically intertwined bodies of work: MULTIPLY, Angels Tread, Dream Sequence and Urban Wordfare plus The Sticker Snatcher Books.

Predominantly a floral painter, Martin Rettig was the younger brother of John Rettig. Born in 1869, Martin studied under Duveneck at the Art Academy of Cincinnati and would later become known as an authority on the works of Duveneck. He was one of the first decorators at Rookwood Pottery, where he stayed from 1882 through 1885. He worked primarily in Limoges, France, in the Japanese style typical of Rookwood at the time. Martin was the president of the Cincinnati Art Club from 1918 through 1920 and passed away in 1956, leaving a large body of floral oil paintings as his legacy.

Dubbed as the “Wizard of Scenic Creation”, John Rettig was best known for his set designs, creating many open-air pageants in Cincinnati, North Africa, and Mexico. The son of a German beer brewer, John was born in Cincinnati, Ohio. He took an interest in art at an early age, beginning to paint frescos when he was just fifteen. He studied at the McMicken School of Drawing and Design (a division of the University of Cincinnati) and graduated in 1881. He later studied at the Art Academy of Cincinnati under Frank Duveneck and Henry Potthast before traveling to Europe to study in Paris with Collin and Courtois. As an artist, he was a painter, sculptor, muralist, and theatrical set designer. With his younger brother and fellow artist, Martin, he decorated and modeled Rookwood Pottery.  In 1903, he traveled back to Europe and spent most of his time in Northern Holland, in a fishing village named Volendam, which later became his second home. John was the president of the Cincinnati Art Club from 1890 to 1892 and again from 1908 to 1910. He passed away, in Cincinnati, at the age of 75. His paintings are on display in private and public collections around the world.

C.F. Payne is an artist-illustrator whose artwork has graced the covers of Time Magazine, Readers Digest, Sports Illustrated, The New York Times Book Review and Sunday Magazine, MAD Magazine, der Spiegel, U.S. News and World Report, The Atlantic Monthly, Texas Monthly, Boys Life and more. He has been commissioned to paint countless politicians, authors and entertainers. He has illustrated ten children’s picture books, including The Remarkable Farkle McBride and Micawber, written by John Lithgow.
His artwork has been exhibited at The Cincinnati Art Museum, The National Portrait Gallery, The Norman Rockwell Museum, The Society of Illustrators Museum of American Illustration, The Selby Gallery at Ringling College of Art and Design and numerous college and university galleries.

​"Nick Reynolds is a Lebanon-born artist and certified Bob Ross instructor. He started oil-painting his senior year of high school and three years later, received his certification to teach in the Bob Ross method. Beyond simply teaching students to paint, he hopes to convince those around him to see talent as nothing more than a set of simple skills, attained through practice." - taken from Nick's website.
Nick will be teaching art classes on March 16th.
View more of Nick's work in his gallery.

  Almost 20 years ago, Peggy Hamlin took a pottery class with her 14 year old daughter at the local YMCA. "From the moment I put my fingers into the clay…" she said, an echo of nostalgia in her tone, "I knew I didn't ever want to stop." When asked why she favored sculpting and hand building, she explained, in true mom fashion, "the classroom only had three wheels and I wanted to make sure my daughter got one." As to why she favors animals as the subject of her work? "I enjoy the challenge but more, I just love animals. I love everything about them." If she wasn't creating pottery, Peggy says that you'd probably find her working as a veterinarian or Vet Tech. "Anywhere with animals really."  
   Come meet the animal-loving artist herself when Peggy joins seven other Warren County Potters for the art exhibition, Masters of Ceramics. The show opens with a FREE reception January 18th 6:30-8:30pm. Can't make it? The artists may be gone but the exhibition will remain through February 22nd, open to the public, at Harmon Museum, during normal business hours. (note: admission is charged for entry into the museum)
Connect with Peggy on her Facebook page and check out what she has for sale on her Etsy shop.

   "As a potter and ceramics teacher, I love being able to spread my love of handmade pottery to others.   The act of a potter expressing themselves and creatively giving a part of their personality while bringing the depth of their experiences in clay to life within a beautiful pot is why I make pottery.    I like to make pottery because of the human connection which is formed, when one person appreciates the gifts, talents, and expressions of another and brings a handmade piece into their lives and homes.  In a world where we are constantly bombarded with technology and the newest manufactured things, the idea of slowing down to appreciate the handmade and keeping the traditions of handmade alive reminds us of our shared history and humanity."
Meet the artist herself when Karan joins seven other Warren County Potters for the art exhibition, Masters of Ceramics. The show opens with a FREE reception January 18th 6:30-8:30pm. Can't make it? The artists may be gone but the exhibition will remain through February 22nd, open to the public, at Harmon Museum, during normal business hours. (note: admission is charged for entry into the museum)
Shop some of Karan's work on her Etsy store page or let her teach you some basics of throwing on her YouTube Channel.

​Mike and his wife Karen are a husband and wife team who have been creating pottery together for over 40 years. Working in the space between utilitarian and fine art, their pottery that is not only beautiful but functional. They mix their own glazes and fire the pots in a fiber gas kiln of their own design. "We believe that people who have beautiful artwork in their homes also like to use beautiful handmade pots at their table."
Learn more about this creative couple at their website and check out this interview the Arts Council of Lebanon did with Mike. Come talk functional art when Mike and Karen join the seven other Warren County Potters for the art exhibition, Masters of Ceramics. The show opens with a FREE reception January 18th 6:30-8:30pm. Can't make it? The artists may be gone but the exhibition will remain through February 22nd, open to the public, at Harmon Museum, during normal business hours. (note: admission is charged for entry into the museum)

    "Greg Neal is a self-taught potter, born and raised in Lebanon, Ohio. His interest began with making pottery in high school, and he continued on as a hobby potter for several years. Greg became a full time artist over 25 years ago, marketing his work primarily at juried art shows in the Midwest and southern states. Greg's wife Amy joined Neal Pottery in 2006 and assists Greg both in the studio and at art shows.   The focus of Greg’s work has been on functional stoneware, with an additional line of unique high fire art pieces. The ability to create both styles of pottery fulfills his desire for exploring various techniques in throwing, glazing and firing. All pieces are wheel thrown or hand constructed, with custom glazes mixed in our studio. The designs of Neal Pottery are original and remain loyal to the idea that pottery should be purposeful as well as objects to be admired."
-taken from Greg's website.
Come meet the artist himself when Greg joins seven other Warren County Potters for the art exhibition, Masters of Ceramics. The show opens with a FREE reception January 18th 6:30-8:30pm. Can't make it? The artists may be gone but the exhibition will remain through February 22nd, open to the public, at Harmon Museum, during normal business hours. (note: admission is charged for entry into the museum)
See what Greg has for sale in his Etsy shop.

An exerpt taken from the "about me" page of his website.
"...High school art class was my first formal introduction to clay work. We were handbuilding, pinchpots and slabs.  I was falling in love with it. In the industrial arts room next door there was a kickwheel underneath a sheet of plywood which was being used as a table.  I asked about it and the art teacher said he didn’t know anything about how to use it.  So he asked around.  He convinced the shop teacher to uncover it and he found (out) the spouse of (another) teacher had taken ceramics in college.  She agreed to meet with me on a Saturday morning and introduce me to the wheel.  It was an incredible moment.  There is much I do not remember from those days, but that morning, I remember every detail."
Learn more about Fred on his website and meet the artist when he joins seven other Warren County Potters for the art exhibition, Masters of Ceramics. The show opens with a FREE reception January 18th 6:30-8:30pm. Can't make it? The artists may be gone but the exhibition will remain through February 22nd, open to the public, at Harmon Museum, during normal business hours. (note: admission is charged for entry into the museum)

​      "Continuing the traditions of American potters dating to 1630, Greg Shooner and Mary Spellmire-Shooner re-create authentic redware pottery at their Oregonia, Ohio studio.  Greg and Mary use their years of pottery experience to make a ware that is unrivaled in its interpretation of rare antiques.  They work alone, with a passionate commitment to quality and artistic control.  A lifelong interest in art led them separately to pottery , then together to the study of redware.
          Redware is an earthenware pottery utilizing a red to pinkish burning clay body and was among the very first commercial products to be manufactured and used by European settlers to North America.  Its fragile nature and its lead glaze rendered it obsolete as soon as an economically feasible alternative (salt-glazed stoneware, tin or glass) was available.
          There has been a resurgence of appreciation for the warmth and beauty of this forgotten folk art in the past forty years and the Shooners enjoy a unique space in this renaissance.  Sharing their knowledge and enthusiasm, they have lectured and demonstrated often, including the "American Ceramics Conference" at the Winterthur Museum in Wilmington, Delaware, the “Dishcamp” conference at Eastfield Village in East Nassau, New York as well as William and Mary College and  New York University. The Shooners also share the unique beauty of their work, their pieces are represented in museum collections as far away as Stoke-on Trent in England to the permanent  collection of the White House in Washington D.C. and Camp David.
          This ware is truly a labor of love, and is recognized as the finest in its field,  coveted by period enthusiasts from coast to coast."
Come meet the artist himself when Greg joins seven other Warren County Potters for the art exhibition, Masters of Ceramics. The show opens with a FREE reception January 18th 6:30-8:30pm. Can't make it? The artists may be gone but the exhibition will remain through February 22nd, open to the public, at Harmon Museum, during normal business hours. (note: admission is charged for entry into the museum)