Through her enterprise Historical Connections she shares her passion for history with audiences who may not have known how intriguing it is. She presents the programs in period style clothing to match each subject, including programs that are not in first person. In addition to her program about Martha Washington, she has presented programs about different patterns in the life of George Washington. She has also presented several programs about gripping stories from the Civil War, including ones about divided families, unsung women, couples of the War, and daring escapes from slavery.
She has a Bachelor’s degree from the University of Illinois and a Master’s Degree from Kent State University. She was a professional librarian for 25 years and is an avid lifelong student of history, spending months researching each presentation.
She has presented at historical societies, Civil War Round Tables, historical reenactments, an adult education organization, historical sites, libraries, and special events, including U.S. Grant Days in Georgetown, OH and Heritage Village Civil War Days in Cincinnati, OH. She has also presented at many retirement communities In her enterprise Historical Connections presentations about the 18th and 19th Centuries she tries to humanize events and allow the audience to feel connected with people who came before. Millie agrees with Ken Burns when he says that the most engaging way to learn history is through stories. She has a Bachelor’s degree from the University of Illinois and a Master’s Degree from Kent State University. She was a professional librarian for 25 years and is an avid lifelong student of history, spending months researching each presentation. Millie has presented several programs about gripping stories from the Civil War, including ones about divided families, unsung women, couples of the War, and daring escapes from slavery. She has also presented programs about different patterns in the life of George Washington. She has presented at historical societies, Civil War Round Tables, historical reenactments, an adult education organization, historical sites, libraries, and special events, including U.S. Grant Days in Georgetown, OH and Heritage Village Civil War Days in Cincinnati, OH. She has also presented at many retirement communities. (bio curtsey of Historical Connections)
Millie Henley will portray Martha Washington at the Frontier Fair!
Chip carved from walnut cigar boxes, with two drawers and lid. The pedestal box form was primarily found in upstate New York and created in the 1930s. Our example still has the New York cigar makers imprint on the inside of the boxes. Tramp Art wasn't produced only by itinerants but by the working man and is considered Folk Art. These pieces can be simple such as picture frames and small items, or complicated such as boxes with secret compartments and furniture. A generous donation by K. Richard B. Niehoff.
Born in England in 1822 he came to Cincinnati in the mid 1850's. He was a teacher at the Cincinnati Art Academy teaching decorative art and wood carving. One. of the premier Cincinnati Carvers, his work can be seen on furniture, woodwork, staircases, and small decorative items. His second wife was Adelaide Nourse, twin sister of painter Elizabeth Nourse. He was the founder of phonetic shorthand in America and one of the first shorthand reporters employed by the US Government. His most famous recorded case was the trial of the Lincoln conspirators.
- Sylvia Outland, Art Curator
Plaster maquette (model for a larger sculpture) of elegant standing female by Wayne Green. Carlysle Wayne Green lived in the old schoolhouse on Utica Road just north of Old St. Rt. 122. (This is why we named her Utica as she didn't come to us with a name.) Green was an accomplished sculptor, and artist-in-residence and instructor of sculpture at Wilmington College. Educated at the Dayton Art Institute, his works can be found in public private collections including Wilmington College.
- Sylvia Outland, Art Curator
"The paintings and drawings I create are intended to build bridges between the past, present, and future for both individuals and ALL groups of people, through stylistic ideas and expressions that crossover into many genres. Historically, my interest in art draws from cubism at the beginning of the 20th century. In contemporary terms, I have been noted to create images that relate to elements of urban architecture, highlighting areas of the city in which I lived and worked.
My intention was to create a kind of architectonic lyricism. Much of my work still combines elements of cubism and deconstructionism, thus combining my interests in the musical composition and its relationship to my visual world. A change in rhythm can be compared to a change in line, weight, brushstroke, value, and pitch. Though my work has characteristics of abstract art, I encourage my viewers to reexamine material culture through my art; therefore, my abstraction is not totally non-objective. It is semi-abstraction. In recent years my work has increasingly transitioned into bolder, brighter color, as a shift in mood and tempo create drawings that originate as studies and become important to my process. The forms seem to grow like plants and flowers interweaving together in my vivid pictorial arena. While incorporating shapes that reference biomorphic forms in nature and internal human anatomy, I combine recognizable imagery placed in natural and man-made environments to create paintings that celebrate the enduring positive spirit of humanity through passionate color.
This use of vibrant color adds a dreamy and playful quality to my work. As a child, I possessed the passion to put my interpretation of the world around me on paper, later forging those images into paintings. I want the child I once was to be represented in my paintings on a visceral level, and at the same time express the refinement of a maturing culmination. The personal becomes the universal. Art is an important way for me to communicate and subsequently build relationships with others. My work is a spiritual testimony to the visual experiences that arouse my senses. As I examine and interpret the world around me, I seek to share an exquisite interplay of subtle and bold."
Cedric Michael Cox is best known for his paintings and drawings that merge surrealism and representational abstraction. As a student at the University of Cincinnati’s College of Design, Architecture, Art, and Planning (DAAP), Cox was awarded a fellowship to study at the Glasgow School of Art in Scotland. After receiving his Bachelor of Fine Arts in Painting in 1999, he began to exhibit regionally and nationally.
Cox’s paintings catapult color into rhythmic action with abstract and recognizable images that create compositions inspired by themes in music and the natural world. His work remains true to sharing Cox’s innermost self as his passion radiates from the canvas. Working under several influences which include architecture and art history, Cox’s work ranges from the geometric, to the curvilinear, to floral-like forms, all dancing within surrealistic shapes. In addition to his work being in corporate collections, Cox has executed several large-scale public murals, as well as murals in various public and private schools in The Cincinnati Region.
Cox’s past exhibitions include: The Contemporary Arts Center of Cincinnati, The Weston Art Gallery, The Columbus Art Museum, Dayton Art Institute, Five Myles Gallery in Brooklyn, Museum of Science and Industry and Gallery Guichard in Chicago, and The Taft Museum of Art. In 2019, Cox’s work was on exhibit at 21c Museum Hotel in Cincinnati, and in 2020, he had a solo exhibition at James Ratliff Gallery in Sedona, Arizona. A 20-year retrospective exhibition at Caza Sikes Gallery and a commissioned body of work was created for the New Kinley Hotel Cincinnati in 2020 and in 2021, a series of 64 paintings for Cincinnati Children’s Hospital was installed.
Throughout his career, Cox’s work has been featured in books, magazines, and in the media.
Be sure to visit Cox's Art Exhibition, opening May 13th. with a free reception at 6:30p.
Rodney Veil's Artist Statement for Beautiful Remains
What is a magazine? The process of making a magazine is art. Magazines are carefully choreographed and crafted windows onto a world of ideas, images, and flights of fantasy that act as guides to worlds beyond our imaginations.
What if I took pieces of magazine paper and wove them into shapes and forms? I began this process of weaving paper over two years ago, rooted in childhood memories of weaving sweetgrass with family and caretakers. Gentle reminders of southern traditions handed down for generations, of the common practice of people of color in “making do” and employing the alchemist feat of turning something so easily disposable into works of art.
This particular exhibition is all about slowing down and seeing the familiar in the abstract. Taking common everyday materials that I have rearranged to speak in new ways, a language of desire, a swirl of color, and patterns redefined.
Taking the used, and discarded and crafting something that can remain beautiful inherently, is my way of challenging us all to see the beauty surrounding us.
Rodney Veal is an independent choreographer and multi-disciplinary artist. He is a graduate of Eastern Michigan University with a B.S in Political Science and Visual Arts. In 2010, he received an M.F.A in Choreography from The Ohio State University. Rodney is an adjunct faculty in dance at Sinclair College in addition to serving as a Completion Coordinator for the Creative Arts Career Community. Rodney currently serves on the Board of Trustees of Ohio Dance, as President, and on the boards of Levitt Pavilion Dayton, HomeFull, Dayton Live!, as well as the Community Advisory board of WYSO.
Mr. Veal is the recipient of several Montgomery County Arts and Cultural District grants and fellowships, including a MCACD Individual Artist Fellowship in 2010-2011. He was one of five artists chosen nationwide to participate in the Blue Sky Dayton Project Artist in Residency Program held in collaboration with the University of Dayton in the summer of 2009. Mr. Veal has choreographed and presented performance installations all over the Miami Valley; recent notable projects are: Reveal: Five Zones of Beauty presented at the Springfield Museum of Art in 2011 and the GHETTO installation at the University of Dayton’s ArtStreet in 2015. Rodney can currently be seen as the Host of the Emmy© Award winning Television series THE ART SHOW on Think TV Channel 16, which is currently in production for its 12th season.
Beautiful Remains: the work of Rodney Veal opens March 18 with a free opening reception at Harmon Museum. The exhibition closes May 7.
Samuel Robert Bailey (1847-1906) Around 145 years ago, Bailey was the first African-American teacher and principal in the public schools of Lebanon, Ohio. Born a slave in northern Alabama, in 1863 during of the Civil War, he left the war torn South as a teenager and went to Sandusky, Ohio. Although illiterate, he saved enough money working to enter Wilberforce University. Seven years later he graduated. In 1876, He was hired to teach in the “colored” school, or African Union School, as it was sometimes called, in Lebanon. Paid as much or more than most of the district’s 9 teachers, around 1879, he was designated “principal of the colored school” and overlooked a staff of one other Black teacher. In 1883, he became the principal of the Lincoln “colored” School in Kansas City, Missouri. When he left Lebanon, The Western Star newspaper proclaimed, “Mr. Bailey is an intelligent colored gentleman, fully competent, to discharge the duties to the high position to which he has ascended. He was a good citizen and we wish him success in his home in the West.”
Written by John Zimkus
1800 Palampore, highlight of Genius of the Needle, Women's Creations in the Victorian Era (1830-1900)
Our extensive textile collection is normally packed away, in many hiding places, and only seen by its curators. However, the group decided the collection should have an art exhibition all its own, Genius of the Needle. The Palampore was voted unanimously as the star of the show!
From around 1800, this exquisite cloth was made in India, for the European Market, in the bed sizes of Europe. Woven from expensive India Cotton, these large and light bed clothes or wall hangings were decorated with exotic trees, curious flora and strange fauna, with elements of the orient in bright, vibrant colors. These cloths were dyed with a Mordant or dye fixative. Usually made from an acid or an alkaline chemical, the mordant helps the dye bite or fix to the fiber being used. This is why the colors are still so beautiful.
This particular cloth comes to us from a Ship’s captain, Captain Starbuck, in 1805. He more than likely brought it back to the United States as a present and it made its way to Ohio. It found its way to us when WCHS member, May Heary, picked it out of her mother’s trash! In 2009, an expert at the Dayton Art Institute verified its authenticity.
We hope you'll get a chance to view this amazing work of fabric art, as well as the rest of the amazing textile works currently on display in Harmon Museum. Genius of the Needle opens January 28 with a free Opening Reception and runs until March 12.
- Jeanne Doan, Assistant Director
Today marks the Winter Solstice, the first day of winter and the day of the year with the shortest amount daylight. This is due to the Earth's axis and the Northern Hemisphere being the furthest from the sun it will be all year.
Since pre-historic times, the Winter Solstice has been celebrated by cultures across the world. It's even speculated the day was important to the Fort Ancient people due to the fact that the Serpent Mound's tail perfectly aligns with the sunrise. (The head aligns with the sunset of the Summer Solstice.)
Timothy Ryan grew up in Warren County exploring the streams, fields, and woods of the area. At the time of his youth, his home town of Springboro was a quaint one stoplight village nestled in the countryside surrounded by many opportunities for the curious to get outdoors and explore nature. The beauty of the area continues to entice Tim and has greatly influenced his art.
Tim has exhibited art work throughout the states of Ohio and Kentucky including shows in Yellow Springs, Dayton, Loveland, Lancaster, Springfield, and Berea. In his studio, Tim explores the interaction of color and rhythm that he sees in nature. The exploration manifests itself in representational and abstract imagery. Through his work, he hopes to share remote places of the Ohio Valley with the viewer.
Tim received his BFA from Berea College in Kentucky, working extensively in painting, sculpture, and printmaking and his M.A. from Marygrove College. He returned to the Miami Valley to teach fine art in the area public schools for 30 years. During those years he was always proud of the students’ accomplishments and enjoyed watching them grow into successful adults. Due to considerable hearing loss, Tim retired from public education in 2015. Tim continues to enjoy spending time hiking, biking, and kayaking as well as learning about the past of this great area.
To learn more, visit SouthRiverStudio.fineart on Facebook and don't miss Ryan's show, Colors and Rhythms in Nature: Landscapes and Abstracts on display from December 10, 2021 to January 21, 2021, at Harmon Museum.
- bio supplied by the artist
A portion of this article was published in the November, 2021 issue of the Medallion, our membership newsletter. If you'd like to receive the Medallion and many other perks (including discounts to events and free admission to all our properties) you can become a member here.
WARREN COUNTY’S OLYMPIC GOLD
by John Zimkus, WCHS Historian/Education Director
Warren County, Ohio made it's first mark in Olympics history with three gold medals in the 1904 St. Louis Olympics. The Modern day Olympics were eight years old at the time, and this was only the third time the revised international competition was held. The winner of the gold medals was Matilda Howell. Her sport was archery.
Matilda Flora Scott was born on August 28, 1859, in Lebanon, Ohio. Called Lida by her family, she was the only daughter of Thomas and Amelia Scott. Her father was a merchant who grew up in Union Township, where his father had a successful wagon making business. Lida's mother was a member of the locally prominent Sausser family who were mostly merchants in Lebanon. Lida attended the Lebanon Union School, where Pleasant Square Park is today. By 1880, her family had move to Cincinnati.
Lida became interested in archery around 1878 as a result of her reading a compilation of witty essays called The Witchery of Archery by Indiana-born poet, essayist, naturalist and archer, Maurice Thompson.
It did not take Lida long to become extraordinarily proficient in archery. She won the Ohio State Archery Championship in 1881 and 1882. Also getting very involved in competitive archery at this time was her father, Thomas Scott.
In the spring of 1883, Lida married Millard Cecil Howell a Norwood Ohio native. By trade he was a coffee broker. Together they would have three children. Millard Howell was also a competitive archer.
It has been said that Lida Scott Howell “had one of the most incredible records ever to be recorded in archery (or for that matter in any other sport.)” Between 1883 and 1907, Lida shot in 20 National Championships, winning 17 of them. Her scores in the 1895 championship set records which were not broken until 1931 – 36 years later.
Lida and Millard, won the National Archery Association's National Championships in 1899, the only time in the history of the association that husband and wife won both titles in the same year.
Out of the nearly 100 sports at the 1904 Olympics in St. Louis Missouri, archery was the only event in which women were allowed to compete. The competition took place on September 19 and 20 and involved six contestants, five of whom were part of Ohio’s
Cincinnati Archers Club. Lida Howell, at 45 years of age, was the nation’s undisputed top lady archer, and coasted to the gold medal in both the Double Columbia and Double National rounds. She also received a gold medal as part of the winning United States archery team.
Also competing in the St. Louis Olympics in archery was her father, Thomas Foster Scott. He competed in the men's double American round and the men's double York round, but did not medal. He was 71 years and 260 days at the time, making him the oldest person known to compete in an archery event at the Olympics. Born in 1833, Scott was also the 3rd-born known Olympian of the modern era, and the 1st-born known US Olympian.
Lida Scott Howell retired from national competition in 1907. She died on December 20, 1938, and is buried in Spring Grove Cemetery in Cincinnati. Lida was inducted into the Archery Hall of Fame & Museum in 1975.
In 1904 a reporter from the Cincinnati Times Star interviewed Lida Howell. When asked why she preferred archery over other sports, she replied, "Archery is a picturesque game, the range with its smooth green and distant glowing target with its gold and radiating red, blue, black, and white, the white-garbed players, with graceful big bows and flying arrows, makes a beautiful picture.”
Adding to that beauty, no doubt, would be the privilege of watching the grace, form and extraordinary skill of an Olympic Champion archer like Warren County’s Lida Scott Howell.
1. Test for bleeding of dye with a blotter or Q-tip
2. Vacuum with the tube covered with screen or hose
3. Prepare bath
6. Spread on a table; put several card tables together for large textiles.
7. Let piece dry in the shade outside
8. Ideal storage for textiles is flat on acid free paper
9. Ideal storage for quilts is rolled onto acid free tube with acid-free paper between layers
10. If framing, use acid-free paper behind textile and have spacer between textile and glass on front
Nathaniel Grauwelman as well as various staff and volunteer writers.