Dr. Kelly Joslin is a tenured Professor and Chair of the Art Department at Sinclair Community College in Dayton, Ohio. Kelly began teaching Art History and Art Appreciation courses at Sinclair in 1998. She became Chair of the Art Department in 2005.
Kelly holds an Associate of Arts degree (A.A.) in Liberal Arts with an Art History emphasis from Sinclair Community College; a Bachelor of Arts degree (B.A.) in Humanities - World Classics from Antioch University-McGregor, a Master of Humanities Degree (M.Hum.) in Art History & Philosophy from Wright State University, and a Ph.D. in Educational Leadership - Higher Education Administration from the University of Dayton.
Kelly is an award-winning photographic artist who actively exhibits her artwork in regional, national, and international juried exhibitions. Her work focuses on experiments with Non-Silver/Alternative photographic processes - Cyanotype, Van Dyke Brown, Gum Print, and Palladium. These experiments have allowed her to create photographs that appear more expressive and painterly. In addition to traditional silver-based photography, she also works experimentally with digital photographic images.
Harmon Museum is proud to present Divine Introspection, the photography of Kelly Joslin.
Opening reception: Nov 2nd 6:30-8:30
Exibition Dates: Nov. 2nd - Dec. 15th
Artist’s StatementNature, and my relationship to it, has long served as a guiding force in my work. From tiny details to sweeping vistas, I continue to be enthralled by its mysteries and I seek to reveal its expressive qualities in my photographs. My photographic prints openly explore self-portraiture as a means of documenting the temporal aspects of physicality. This interest began after my rediscovery of 35mm negatives featuring self-portraits I created when I was 21 years old. As I examined the various images of my younger self, I became increasingly intrigued by the idea of juxtaposing those images with portraits of myself as I appeared 20 years later at age 41. Since that time, this exploration has continued to evolve. The resultant imagery serves as a seamless conduit between complex abstract compositions and straightforward images that provide an unaltered portrait at a given moment in time.
The Warren County Historical Society is delighted to open The Magical World of Charley Harper, an art exhibition held at Harmon Museum. A free opening reception will be held on September 7th from 6:30-8:30pm and the exhibition will remain up until the 20th of October, viewable during the museum's normal business hours.
Charles Burton Harper was born in 1922 on a farm in central West Virginia. From an early age, he preferred sketching nature to doing his chores. Seeking a broad art education, Charley came to the Art Academy of Cincinnati for the fall term of 1940. There, on the first day of class, he met Edie McKee, graduate of Cincinnati's Wyoming High School. But Charley was drafted in 1942 to fight in World War II against Germany. A recon scout for the Army, he illustrated what he saw. At the war's end, he returned to America and spent a year at the Art Students League in New York. He then finished his degree at the Art Academy of Cincinnati and married Edie. It was then that the newlyweds embarked on a six-month honeymoon, painting their way across the United States and back.
Although Charley debated whether to be a realist or an abstract artist, he wished to discover his own creative voice. That process was completed by 1955 when he printed a series of birds that had appeared in Ford Times magazine.
The evolution of Charley's style can be seen in his images of the Northern Cardinal selected for this exhibit. Charley returned to the Cardinal many times in his career because its body allowed him to demonstrate his self-dubbed "minimal realism." As Charley liked to say, he stripped away all extraneous details, and "counted the wings, not the feathers." In subsequent Cardinal images, Charley portrayed the popular backyard bird from different perspectives. In later years, he incorporated the Cardinal within entire ecosystems in his most complex designs.
After 50 years working in his studio in a forest in the Cincinnati suburb of Finneytown, Charley had produced thousands of images. He had also written and illustrated books, illustrated children's books for Golden Press, created public tile murals, seen his art adapted by world renowned designers for clothing, stationery and dishware, and enjoyed an international reputation for his unique approach to the world. It was Charley Harper's magical world. Since his passing in 2007, that world has continued to bring smiles to ever more faces.
All Wesleyan and Methodist Christians are connected to the lives and ministries of John Wesley (1703-1791) and his brother, Charles (1707-1788). Both John and Charles were Church of England priests who volunteered as missionaries to the colony of Georgia, arriving in March, 1736. Their mission was far from an unqualified success, and both returned to England disillusioned and discouraged, Charles in December, 1736, and John in February, 1738.
The Wesley brothers had transforming religious experiences in May, 1738, under the influence of Moravian missionaries. John’s experience on May 24 of that year at a Moravian meeting on Aldersgate Street, London, has a prominent place in the Church’s memory. Shortly thereafter, both brothers began preaching a message of new birth and sanctification in Anglican religious societies and outdoors to whomever would listen. They also established missional and philanthropic enterprises to promote social change.
The goal of this movement was to “reform the nation, particularly the church; and to spread scriptural holiness over the land.” Over time a pattern of organization and discipline emerged. It included a set of General Rules, societies made up of class meetings (small groups in which members of Methodist societies watched over one another), and band meetings (smaller confessional groups divided by gender), all connected by traveling lay preachers.
Beginnings in America, 1760-1816
Methodism in America began without authorization or support from England, as lay Methodists immigrated to America. Among its earliest leaders were Robert Strawbridge, an immigrant farmer who organized work in Maryland and Virginia around 1760; Philip Embury and his cousin Barbara Heck, who began work in New York in 1766; and Captain Thomas Webb, whose labors were instrumental in Methodist beginnings in Philadelphia in 1767. The first Methodist societies included active participation by people of European and African descent.
To strengthen the Methodist work in the colonies, John Wesley sent two lay preachers, Richard Boardman and Joseph Pilmore, to America in 1769. Two years later, Richard Wright and Francis Asbury were dispatched to undergird the growing American Methodist societies. Asbury became the most important figure in early American Methodism. His energetic devotion to the principles of Wesleyan theology, ministry, and organization shaped Methodism in America in ways unmatched by any other individual.
The first conference of Methodist preachers in the colonies was held in Philadelphia in 1773. The ten who attended pledged allegiance to Wesley’s leadership and agreed that, as laypeople, they would not administer the sacraments. Methodists would receive the sacraments of baptism and the Lord’s Supper at a local Anglican parish church. They emphasized strong discipline among the societies and preachers. A system of regular conferences was inaugurated, similar to those Wesley had instituted in England to conduct the business of the Methodist movement.
The American Revolution profoundly impacted Methodism. John Wesley’s loyalty to the king and his writings against the revolutionary cause did not enhance the image of Methodism among many who supported independence. Furthermore, a number of Methodist preachers refused to bear arms to aid the patriots.
When independence from England was won, Wesley recognized that changes were necessary for American Methodism to thrive. He sent Thomas Coke to America to superintend the work with Asbury. Coke brought with him a prayer book entitled The Sunday Service of the Methodists in North America, prepared by Wesley and incorporating his revision of the Church of England’s Thirty-Nine Articles of Religion. Richard Whatcoat and Thomas Vasey, whom Wesley had ordained, accompanied Coke. Wesley’s ordinations set a precedent that ultimately permitted Methodists in America to become an independent church.
In December 1784, the famous Christmas Conference of preachers was held in Baltimore at Lovely Lane Chapel. Most of the American preachers attended, probably including African Americans, Harry Hosier and Richard Allen. At this gathering the movement became organized as The Methodist Episcopal Church in America. In the following years The Methodist Episcopal Church published its first Discipline (1785), adopted a quadrennial General Conference, the first of which was held in 1792, and drafted a Constitution (1808). It also established a publishing house and became a proponent of revivalism and the camp meeting.
Two other churches were forming in America, which, in their earliest years were composed almost entirely of German-speaking people. The first was founded by Philip William Otterbein (1726-1813) and Martin Boehm (1725-1812). Otterbein, a German Reformed pastor, and Boehm, a Mennonite, preached an evangelical message similar to the Methodists. In 1800, their followers formally organized the Church of the United Brethren in Christ, which included a similar organization of traveling preachers. Otterbein attended the Christmas Conference and participated in Asbury’s ordination.
A second church, The Evangelical Association, was begun by Jacob Albright (1759-1808). Albright, a Lutheran farmer and tile-maker in eastern Pennsylvania, was converted by the United Brethren and nurtured in a Methodist class meeting. He later established his own connection of preachers, better to reach fellow German-speakers. The Evangelical Association was officially organized in 1803.
Early attempts at merging these churches failed. By the time of Asbury’s death in March 1816, Otterbein, Boehm, and Albright had also died. The churches they nurtured had survived and were beginning to expand numerically and geographically. The German churches united in 1946 as The Evangelical United Brethren Church, which in turn joined with The Methodist Church in 1968 to form The United Methodist Church.
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